cleanlinez:

dear-white-people:

justinsimien:

lilliep:

lilliep:

Dear White People (2012)

DEAR WHITE PEOPLE follows the stories of four black students at an Ivy League college where a riot breaks out over a popular “African American” themed party thrown by white students. With tongue planted firmly in cheek, the film will explore racial identity in “post-racial” America while weaving a universal story of forging one’s unique path in the world. 

TrailerInfoDonate

ETA:

Help send the film to the Tribeca Industry Meetings vote here.

I know ppl are still reblogging this so edited to include the voting link. 

The #DearWhitePeople Union is UNSTOPPABLE. So excited to make a movie you will love as much as we love you! (which is a lot lot)

again: send film to Tribeca Industry Meetings via this link: http://www.indiewire.com/article/its-time-to-vote-for-project-of-the-year-send-one-film-to-the-tribe

(via vapidfemme)

"

**TRIGGER WARNING**

As a survivor of campus sexual assault, and as someone who became a feminist and an activist after my own experience of institutional apathy towards my attacks, I feel conflicted. I am so glad that this serious issue is getting more attention, but I am increasingly frustrated and almost scared by the lack of diversity that I see in the survivors receiving national media attention. As I look at photos and watch the media appearances of these resilient, brave survivors I can’t help to feel invisible. I browse a network of campus rape survivors who are working to combat institutional apathy towards rape victims and struggle to find other women of color who are like me.

Why does the representation of survivors in the media matter? Validation of black women of survivors would go against the jezebel stereotype that, in fact, black women are not all sexually insatiable creatures and can be raped. It would challenge attitudes that black women are more to blame for being survivors of sexual and domestic violence and that being raped is just as serious as if they were any other color. An important message that media attention on rape survivors means that “you matter.” Do not other survivors — whether they are men, of color, poor, LGBTQ, gender non-conforming matter, too?

What has contributed to young white women being the face of rape survivors in media? I do not know. It may be a reflection of our culture to be more sympathetic to white female survivors as talking about rape and rape culture in mainstream media becomes more prevalent (a sort of extension of “missing white woman syndrome”). It could be general distrust or fear of the mainstream media to properly tell our stories. Or maybe no one wants to listen. When I first was trying to get attention to my story, I remember reporters, producers, and magazines alike asking me to rehash the painful details of my story only to pick to feature other survivors: all of them pretty, female, and white.

"

— Wagatwe Wajuki, “College Rape: Does The Media Only Focus Only On White Survivors?”, PolicyMic 4/29/13 (via racialicious)

brofiling:

white privilege radically changes the appearance of Tsarnaev bros
This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.
Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.
Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.
Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.
This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.

brofiling:

white privilege radically changes the appearance of Tsarnaev bros

This is how brofiling actually works in real life. The Week Magazine ran with this image as their cover sketch.

Just so it is said, clearly and unambiguously: the Tsarnaev brothers are white guys. They are white. The FBI’s own wanted poster for Dzhokhar Tsarnaev lists his race as “white”, but you would never know it from the cover image on The Week.

Hold up the cover to someone else, and ask them how many white people they can see on the cover. Chances are they will identify Gabby Giffords on the top left and the image of the Boston policemen (all white men) on the top right, but how about those two guys in the center? Nope, not a chance that anyone would say these caricatures look white.

Why? Because in addition to being white they are also “Muslim”, which is the current dehumanizing “Other” that whiteness has constructed as a sanctioned target for violence in US popular culture.

This is how white privilege works in media representations and everyday life: when the criminal suspects are demonstrably white men, seize upon any aspect of difference and magnify it such that they become Othered, non-white, and menacing. If it is too hard to do so, simply dismiss them as aberrations and isolated cases of insanity. This is also how white culture, specifically the process of whiteness in conjunction with white privilege, portrays several non-white identities, including those that are now considered white but at one time were decidedly not so. For example, see here for how the Irish were depicted as violent apes or lazy drunks in the late 1800s to early 1900s.

"what are the words you do not have? what do you need to say? what are the tyranies you swallow day by day and attempt to make your own until you will sicken and die of them, still in silence?"

— audre lorde (via justmegger)

(via ethiopienne)

Tags: Audre Lorde

"It is unfair to ask a woman to leave aside her personal experience and discuss feminist issues in the abstract. You are discussing the stuff of her life. Asking her to “not make it personal” is to ask her to wrench her womanhood from her personhood. Don’t play Devil’s advocate. Seriously. Just don’t."

Shakesville: I Am Not a Political Football (via finedineonmyvegangenitalia)

(via thefemcritique)

readabookson:

https://anonfiles.com/file/a38ddf78d2485f414c46e4f108ce7307
"An even bigger issue is that if people think social justice is about niceness, it means they have fundamentally misunderstood privilege. Privilege does not mean you live in a world where people are nice to you and never insult you. It means you live in a world in which you, and people like you, are given systematic advantages over other people. Being marginalised does not mean people are always nasty to you, it means you live in a world in which many aspects of the cultural, social and economic systems are stacked against people like you. Some very privileged people have had awful experiences in life, but it does not erase their privilege."

The Revolution Will Not Be Polite  (via sonicy0uth)

recipes for revolution are quiteeeeee tricky.

(via crystal-cat-loves-ac)

(Source: afrafemme, via feministpraxis)

"How do you raise a young person in our simultaneously both porned out and repressed culture to both avoid sexual assault while not being alienated from their own sexuality? Please, please tell me."

— Socialist activist & journalist for the Nation Dave Zirin this week on MSNBC’s Melissa Harris-Perry. (via thepeoplesrecord)

space-legs:

buttonpoetry:

Janani - “trans/national” (CUPSI 2013)

“My testosterone is now made by Israel’s largest company. There is colonization running through my bloodstream.”

Janani, of Stanford University, performing during semifinals at the 2013 College Unions Poetry Slam Invitational.

TEARS

(via crunkfeministcollective)

emily84:

kjahjlhfalkshdfkjas

(Source: sandandglass, via fuckyeahwomenprotesting2)